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The train takes on the role of Noah’s Ark, gathering 500 children of different nationalities and faiths and carrying them not just from Kazan to Samarkand, but from death to life.
Their journey spans vast and unforgiving terrain: the primaeval forests of the Volga, the boundless Kazakh steppes, the wind-swept shores of the Aral Sea, the burning deserts of Kyzyl-Kum, and the ancient domes of Turkestan.
Samarkand, thus, becomes more than a destination; it becomes a symbol of salvation.
A VISUAL SYMPHONY OF THE CENTRAL ASIAN LANDSCAPES
BASED ON AN INTERNATIONAL BESTSELLER

Guzel Yakhina is one of the most remarkable Russian authors of our time. She is the finalist of Prix Médicis Prizw (France) and laureate of the Meilleur livre étranger (France), Giuseppe Tomasi di Lampedusa Award (Italy), 8th Lu Xun Literature Award (China) and the Big Book literary award (Russia).
Yakhina's Convoy To Samarkand is an adventure novel set against the backdrop of the most troublesome historical period in Russian history, a modern Robinson Crusoe, a travel story of epic drama calibre. A series of scary adventures along the way of Deyev's train—getting food or medical supplies for his young charges, finding a nurse for a newborn baby, wandering in the desert, clashing with gangs—are written as if they were mythical events, but with extreme realism and vividness. Deyev, like his legendary predecessors—Odysseus, Hercules, Jason— on his way opposes the absolute Evil, Death, coming to him in various guises—as Hunger, Disease, or Murder. At the same time, a constant suspense of their journey, a feeling of danger, and expectation of a tragedy, is masterfully seasoned by the author with unexpectedly touching and somewhat comic situations and mise-en-scenes.
Convoy to Samarkand was published in 2021 and has been translated into over 20 languages, with more than 2,000,000 copies sold worldwide.
"This is a rare book, one that transforms everyone who reads it. It conjures visions of Marco Polo’s journeys to an elusive, opulent East—a land of both abundance and savage cruelty. It’s a craving for warmth, for searing heat, for the mirage in the desert. And it’s a Robinsonade, a genre that promises salvation in the end."
Elena Kostyukovic, Literary critic and essayist
